"Virulentia was, above all, a place of theatrical experimentation and simultaneously a proposal to step outside the theater, set in motion by Aldo Braibanti —a 'place' where, through the individual real-life experiences that actors brought with them to the stage, life, research, poetry, and love intertwined. The camera approached this collective psychodramatic ritual in an attempt to 'reinvent' the history of vision, the biological evolution of the eye, which, emerging from the primordial waters as from amniotic ones, gazes upon the land; reliving with the actors the evolution that the species has undergone, and attempting to make visible how the past of our animal ancestors (what Ferenczi called onto-phylogenesis) is present in our dreams and everyday behaviors." (A. Grifi)