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Three Films: Blue White/Bloodstone/Vein
Three Films: Blue White/Bloodstone/Vein
BLUE WHITE, "an intonation of child birth"; BLOOD'S TONE, "a golden nursing film"; VEIN, "a film of baby Buddha masturbation."
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Dog Star Man
Dog Star Man
Experimental film following a cycle of seasons as well as the stretch of a single day as a man and his dog slowly ascend a mountain.
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Song 2
Song 2
SONGS 2 & 3: Fire and a mind’s movement in remembering (the Songs are a cycle of silent color 8mm films by the American experimental filmmaker Stan Brakhage produced from 1964 to 1969).
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Song 8
Song 8
SONG 8: Sea creatures (the Songs are a cycle of silent color 8mm films by the American experimental filmmaker Stan Brakhage produced from 1964 to 1969).
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Song 4
Song 4
SONG 4: Three girls playing with a ball. Hand painted (the Songs are a cycle of silent color 8mm films by the American experimental filmmaker Stan Brakhage produced from 1964 to 1969).
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Song 7
Song 7
SONG 7: San Francisco (the Songs are a cycle of silent color 8mm films by the American experimental filmmaker Stan Brakhage produced from 1964 to 1969).
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Song 6
Song 6
SONG 6: The painted veil via moth-death (the Songs are a cycle of silent color 8mm films by the American experimental filmmaker Stan Brakhage produced from 1964 to 1969).
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Song 5
Song 5
SONG 5: A childbirth song (the Songs are a cycle of silent color 8mm films by the American experimental filmmaker Stan Brakhage produced from 1964 to 1969).
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Song 1
Song 1
SONG 1: Portrait of a lady (the Songs are a cycle of silent color 8mm films by the American experimental filmmaker Stan Brakhage produced from 1964 to 1969).
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Song 3
Song 3
SONGS 2 & 3: Fire and a mind’s movement in remembering (the Songs are a cycle of silent color 8mm films by the American experimental filmmaker Stan Brakhage produced from 1964 to 1969).
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Dog Star Man: Part III
Dog Star Man: Part III
Sexual intimacy. Three kinds of images race past, superimposed on each other sometimes: two bodies, a man and a woman's, close up, nude - patches of skin, wisps of hair, glimpses of a ...
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Dog Star Man: Part IV
Dog Star Man: Part IV
A man is supine on a mountain side. Images rush past of nature and a stained glass saint. An infant is born. We see a lactating nipple. Images include a mountain peak, farm buildings, a ...
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Dog Star Man: Part II
Dog Star Man: Part II
A man, accompanied by a dog, struggles through snow on a mountain side. We see film stock blister; drawn square shapes appear. Then, we see an infant's face. The images of struggling ...
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Dog Star Man: Part I
Dog Star Man: Part I
From a murky landscape, a wooded mountain emerges. We watch the sun. We see a bearded man climbing up the mountain through the snow. He carries an ax, and he's accompanied by a dog. His ...
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Mothlight
Mothlight
Seemingly at random, the wings and other bits of moths and insects move rapidly across the screen. Most are brown or sepia; up close, we can see patterns within wings, similar to the ...
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Blue Moses
Blue Moses
One of the few Brakhage films featuring spoken dialogue and a central character, this sly and bitter polemic pits an actor (poet? director?) against an unseen audience. Preserved by ...
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Prelude: Dog Star Man
Prelude: Dog Star Man
A creation myth realized in light, patterns, images superimposed, rapid cutting, and silence. A black screen, then streaks of light, then an explosion of color and squiggles and ...
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Films by Stan Brakhage: An Avant-Garde Home Movie
Films by Stan Brakhage: An Avant-Garde Home Movie
"I had a camera with which I could make multiple superimpositions spontaneously. It had been lent to me for a week. I was also given a couple of rolls of color film which had been ...
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Ballad of the Colorado Ute
Ballad of the Colorado Ute
Featuring stylized visual storytelling, this rarely seen film by famed experimental filmmaker Stan Brakhage was produced for the Colorado Department of Public Relations and is one of ...
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Colorado Legend
Colorado Legend
A tale of two gold miners of the old west who struck it rich. The lonely life made them heavy drinkers, and one night when the heavyset and silent Dutchman wouldn't talk to the feisty ...
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The Dead
The Dead
"The Dead became my first work in which things that might very easily be taken as symbols were so photographed as to destroy all their symbolic potential. The action of making The Dead ...
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Wedlock House: An Intercourse
Wedlock House: An Intercourse
We see a film negative of a nude couple embracing in bed. Then, back in regular black and white images, we see them alone and together, clothed, at home. It's night, she sees his ...