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Fist Fight
Fist Fight
Breer's extraordinary autobiographical film combines personal and family photos with intense colors, textures and geometric abstractions. Originally presented as part of Karlheinz ...
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Breathing
Breathing
Breer’s animation explores the theme and variation of the drawn line: a line in constant movement and transformation. With a very sketchy style, he demonstrates how a simple, abstract ...
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Horse Over Tea Kettle
Horse Over Tea Kettle
A woman with an umbrella, a frog and other easily recognizable creatures and objects are moved and transformed within an intricate orchestration of expectations and surprises involving ...
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Pat’s Birthday
Pat’s Birthday
Breer was influenced by the new performance art and "happenings" making waves in the avant-garde of Europe and New York. He worked briefly with Claes Oldenburg and his performance ...
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Homage to Jean Tinguely’s ‘Homage to New York’
Homage to Jean Tinguely’s ‘Homage to New York’
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Eyewash
Eyewash
A free flow from photography to geometric abstraction hand-painted by Breer. - Harvard Film Archive
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Jamestown Baloos
Jamestown Baloos
Cut-outs of war machines and the figure of Napoleon – contributors to an anti-war theme – encounter abstract shapes, line drawings, old-master landscapes, short bursts of ‘real-time’ ...
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Motion Pictures No. 1
Motion Pictures No. 1
Experimental film, in which against a black field, constantly changing coloured strips of paper cross the screen, meet each other and deflect at angles.
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Recreation
Recreation
Featuring a commentary by Noël Burch (in nonsense French), Recreation's rapid-fire montage of single-frame images of incredible density and intensity has been compared to contemporary ...
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Image by Images IV
Image by Images IV
An endless loop of film composed entirely of disparate images. Through repetition, certain images isolate themselves from the flow reforming the original pattern.
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Form Phases II
Form Phases II
Breer's earliest experiments in animation are wonderfully dense yet lyrical abstractions based on Breer's own geometric paintings. - Harvard Film Archive
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Form Phases IV
Form Phases IV
Breer's earliest experiments in animation are wonderfully dense yet lyrical abstractions based on Breer's own geometric paintings. - Harvard Film Archive
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Form Phases I
Form Phases I
Breer's earliest experiments in animation are wonderfully dense yet lyrical abstractions based on Breer's own geometric paintings. - Harvard Film Archive